Directed By: Franklin J. Schaffner
Starring: Charlton Heston, Richard Boone, Rosemary Forsyth
Tag line: "Until this moment, the shield was his only bed...the sword his only bride!"
Trivia: Charlton Heston admitted in his 1978 journal "An Actor's Life" that he was not impressed by Richard Boone's performance
With its rousing score, period costumes, and sweeping battle scenes, 1965’s The War Lord has the look and feel of a Hollywood epic. But beneath all the magnificence lurks a love story for the ages, and thanks to director Franklin J. Schaffner, the characters, and not the spectacle, are what drive the movie forward.
It’s the 11th century, and Norman knight Chrysagon de la Cruex (Charlton Heston) has been ordered by his lord and master the Duke to defend a Celtic village, which is in danger of being attacked by Frisian raiders. Teaming up with both his brother Draco (Guy Stockwell) and his most trusted comrade Bors (Richard Boone), Chrysagon takes up residence in a small tower overlooking the countryside. Chrysagen is fully prepared to carry out his mission, yet is none too happy that the townsfolk, ignoring the missionary efforts of a Christian priest (Maurice Evans), still practice their “heathen” religion.
While out riding one day, Chrysagon spots a beautiful peasant girl working by the side of the river, and falls instantly in love with her. The peasant's name is Bronwyn (Rosemary Forsyth), and she is about to be married to Marc (James Farentino), the son of the village elder.
While he is committed to to maintaining a cordial relationship with the locals, Chrysagon is nonetheless persuaded by his brother Draco to evoke his “right of first night” with Bronwyn (an ancient custom that allows the local authority to bed a virgin bride on her wedding night).
Once the marriage ceremony is completed, Bronwyn is brought to Chrysagon, and during their time together she confesses that she is in love with him as well. So, when the sun rises the next morning, Chrysagon breaks tradition by refusing to allow Bronwyn to return to her new husband, an act that forces the villagers to seek an alliance with a Frisian Prince (Henry Wilcoxon), whose young son (Johnny Jensen) is being held prisoner by Draco.
Is Chrysagon ready to go to war for love, or will his duty to lord and country influence his actions?
Having already portrayed larger than life characters in Ben-Hur and El Cid, Charlton Heston was the perfect actor for the role of the brave, lovesick Chrysagon, while Guy Stockwell is every bit Heston’s equal as Draco, Chrysagon’s occasionally treacherous brother. In addition, the musical score (by Jerome Moross) and the costumes (designed by Vittorio Nino Novarese) are first-rate; and kudos to director Schaffner, who somehow managed to make Southern California look exactly like France in the Middle Ages (I was shocked when I discovered The War Lord wasn’t shot on-location in Europe).
Yet all this, as well as the electrifying battles (the Frisian siege of the tower fills a fair portion of the movie’s third act, and is a thrill-a-minute), plays second fiddle to the characters and their relationships, from the central love story (which is very effective) to the sibling rivalry that develops between Chrysagon and Draco (leading to some tense moments between the two).
As he would eventually do with Patton and Papillon, Franklin Schaffner crafted an elaborate, fascinating world for The War Lord, then made his characters the center point of the film.
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