Directed By: Julie Taymor
Starring: Evan Rachel Wood, Jim Sturgess, Joe Anderson
Tag line: "All you need is love"
Trivia: Release prints were delivered to some theaters with the fake title Love and Freedom
The first time I saw director Julie Taymor’s Across the Universe, a movie that utilizes the music of The Beatles to weave a story of love, revolution, and war, I was swept away by its energy, and quickly fell in love with its singular style. It’s an affair I renew each and every time I watch this exceptional film.
Set in the 1960s, Across the Universe tells the story of Jude (Jim Sturgess), a young man from Liverpool who travels to America to track down the father he never knew. Once there, he befriends Ivy League college student Max (Joe Anderson), who promptly drops out of school and, with Jude in tow, heads to New York.
Max’s sister, Lucy (Evan Rachel Wood), whose boyfriend was recently killed in Vietnam, follows her brother to the city, and it isn't long before she and Jude are deeply in love. All three reside in an apartment / commune owned by the sultry Sadie (Dana Fuchs), a nightclub singer who has also rented rooms to former cheerleader Prudence (T.V. Carpio) and JoJo (Martin Luther McCoy), a guitarist from Detroit who eventually joins Sadie’s band.
The good times come to an abrupt end, however, when Max is drafted into the Army and shipped off to Vietnam. This drastic change in their group's dynamic puts Lucy’s and Jude’s relationship to the test when Lucy, hoping to save her brother, volunteers to work for an anti-war organization that Jude believes is much more militant than she realizes.
From the character’s names alone, you get a sense of just how influential The Beatles are on Across the Universe (“Hey, Jude”; “Lucy in the Sky with Diamonds”; “Dear Prudence”, etc). But it’s the band’s music, most of which is performed by the film’s young stars, that makes this movie so damned appealing.
From the character’s names alone, you get a sense of just how influential The Beatles are on Across the Universe (“Hey, Jude”; “Lucy in the Sky with Diamonds”; “Dear Prudence”, etc). But it’s the band’s music, most of which is performed by the film’s young stars, that makes this movie so damned appealing.
What amazed me was how director Taymor and her writers, Dick Clement and Ian La Frenais, managed to build a complete story around the various songs, inserting each at just the right moment to ensure everything makes perfect sense. When Max introduces Jude to his fraternity brothers, we’re treated to a spirited interpretation of “With a Little Help from My Friends”, which pays homage to both The Beatles’ version of that song as well as Joe Cocker’s. Speaking of Joe Cocker, he makes an appearance in the movie, belting out “Come Together” as JoJo, fresh off the bus from Detroit, walks the streets of New York City. Along with Cocker, U2’s Bono also turns up as a psychedelic prophet (singing “I Am the Walrus”), and Jeff Beck provides a music-only rendition of “A Day in the Life”.
But it’s the film’s cast that truly shines, from Jim Sturgess singing “I’ve Just Seen a Face” (in, of all places, a bowling alley) to Joe Anderson’s “I Want You (She’s So Heavy)”, performed when Max is at the Army Induction Center. With so many incredible musical sequences, it’s hard for me to pick favorites, but if I had to, it would be a tie between the three leads’ singing “Dear Prudence” (a sequence that is also visually stunning), and the gospel-influenced, very poignant version of “Let it Be”.
But it’s the film’s cast that truly shines, from Jim Sturgess singing “I’ve Just Seen a Face” (in, of all places, a bowling alley) to Joe Anderson’s “I Want You (She’s So Heavy)”, performed when Max is at the Army Induction Center. With so many incredible musical sequences, it’s hard for me to pick favorites, but if I had to, it would be a tie between the three leads’ singing “Dear Prudence” (a sequence that is also visually stunning), and the gospel-influenced, very poignant version of “Let it Be”.
Taymor does manage to throw a few non-Beatles references into the mix (Martin Luther McCoy’s JoJo looks exactly like Jimi Hendrix, while Dana Fuchs’ Sadie is an obvious tribute to Janis Joplin), but in the end, Across the Universe owes nearly everything to Paul, John, George, and Ringo.With rich characterizations and plenty of great music, Across the Universe ranks alongside Moulin Rouge as one of the most unique movie musicals of the new millennium.
1 comment:
One of my all-time favourite films. My favorite track is hard to narrow down and the soundtrack has been a regular feature on my Walkman for years.
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