Directed By: David Slade
Starring: Josh Hartnett, Melissa George, Danny Huston, Ben Foster
Tag line: "They're Coming!"
Trivia: Sam Raimi was originally going to direct this film, but decided to produce it instead.
I was intrigued when I read the premise for 30 Days of Night. Based on a series of graphic novels published in 2002, 30 Days of Night tells the story of an Alaskan town besieged by a band of vampires just as the sun goes down. Unfortunately, being so far north and in the middle of winter, this particular town won't see the sun rise again for another 30 days, giving their new "visitors" plenty of time to feed on every man, woman and child!
As I said, it's an intriguing premise, and in the hands of director David Slade, what was a solid idea for a comic book becomes an exceptionally entertaining horror film.
Barrow, a small town situated near the Arctic circle, is preparing for its annual “30 Days of Night”, during which time the sun will disappear from the sky for a solid month. Those who are unable to handle the prolonged darkness leave before sunset, but this year, the people remaining behind will have more to contend with than a longing for daylight.
Barrow, a small town situated near the Arctic circle, is preparing for its annual “30 Days of Night”, during which time the sun will disappear from the sky for a solid month. Those who are unable to handle the prolonged darkness leave before sunset, but this year, the people remaining behind will have more to contend with than a longing for daylight.
Once darkness descends on Barrow, so does a band of ancient vampires, intent on draining the blood from anyone and everyone. The leader of these vampires (Danny Huston) instructs his followers to kill every resident, but Eben Oleson (Josh Hartnett), the sheriff of Barrow, has other plans. With the help of his estranged wife Stella (Melissa George), Eben leads a small group of survivors to an attic in an isolated house, where they hope to remain hidden until the sun returns again in 30 days.
Director Slade shows us early on just how secluded Barrow is; at one point, we're given a birds-eye view of the town, where we see for ourselves the nothingness surrounding it on all sides. Yet the unsettling isolation pales in comparison to the sheer terror generated by the vampires themselves. These creatures are a far cry from Bela Lugosi's regal Count in 1931's Dracula.
Director Slade shows us early on just how secluded Barrow is; at one point, we're given a birds-eye view of the town, where we see for ourselves the nothingness surrounding it on all sides. Yet the unsettling isolation pales in comparison to the sheer terror generated by the vampires themselves. These creatures are a far cry from Bela Lugosi's regal Count in 1931's Dracula.
Unable to talk, the vampires in 30 Days of Night shriek instead, and take great pleasure not only in drinking blood, but also spilling it as violently as possible. In an early scene, three pipeline workers (Amber Sainsbury, Jared Turner and Kelson Henderson) have just finished their shift, and are trying to decide whose house to go back to for the evening. Before they can make up their minds, one of them is snatched away into the darkness, and as the other two are trying to figure out what happened, their friend's body drops from the sky, his neck sliced open.
The leader of the vampires, played wonderfully by the oft-underrated Danny Huston, does speak, but in an archaic language, leading us to believe these monsters have been around for a very, very long time. Even still, they're giddy with excitement over the smorgasbord about to be served up in Barrow, which is surely more impressive than any they've encountered before. “We should have come here ages ago”, Huston's lead vampire says to his minions, and from the smiles on their faces, they obviously agree with him.
I chuckled a little at the above line of dialogue, but that's about as close to a humorous moment as you're going to find in 30 Days of Night. There are no facetious asides or witty one-liners. In fact, there's nothing at all thrown in to relieve the audience's tension. From star to finish, 30 Days of Night is a bleak film, loaded with lots of darkness, lots of blood, and a hell of a lot of screams.
I chuckled a little at the above line of dialogue, but that's about as close to a humorous moment as you're going to find in 30 Days of Night. There are no facetious asides or witty one-liners. In fact, there's nothing at all thrown in to relieve the audience's tension. From star to finish, 30 Days of Night is a bleak film, loaded with lots of darkness, lots of blood, and a hell of a lot of screams.
11 comments:
Great film. Really like this and get a lot out of it every time I go back to it. One of my first purchases on Blu-ray where the blacks, reds and whites really look fantastic. Glad you enjoyed it.
@Film Intel: Thanks for stopping by.
I agree: this is a very good film, and is extremely "re-watchable". I actually don't own this on Blu-Ray, but I'll definitely be picking it up as soon as possible.
Thanks again!
I really liked the premise of this film which led me to think about vampire lore - which should further consider the fact that vampires, if they were to exist, would have taken advantage of the long winter nights and become arctic adapted creatures. The book/film "Let Me In" makes another good case for cold-weather vampires.
Klaus: That really is an excellent point! The extremely cold climates afford vampires the most "up time". I haven't seen LET ME IN yet, but I did love the original (LET THE RIGHT ONE IN), which has a similar setting to the remake (and 30 DAYS OF NIGHT).
I am so sick of vampire films nothing against your review sir, avoiding this one.
Puppet show was enjoyable and well executed sir.
Excellent DVD picks and prices by all the critics.
Thanks for stopping by.
No offense taken...there have been a number of vampire films in recent years, so I can understand where you're coming from. That said, I feel 30 DAYS OF NIGHT does stand out from the crowd.
Thanks for the kind words regarding the podcast, and please be sure to stop back and let me know what you think of the movies after you watch them!
Thanks again, and thanks for listening to Planet Macabre.
"LET THE RIGHT ONE IN" -- of course that was the movie/book I meant when referring to "Let me In" in my previous post. I haven't see "Let Me In" 2010) yet either.
Sadly, we're going to split the dog on this one. The film had such a magnificent premise and I felt it failed to deliver on almost every level. The only way I could have been more disappointed in this is if it had been a musical.
I reviewed this on my old blog. The link is here so I don't have to retype all the reasons this film disappointed me.
http://movieguysteve.blogspot.com/2008/10/30-days-of-night.html
@Klaus: I figured you may have meant the original :). That said, I have heard good things about the remake, though admittedly I haven't seen it myself.
@Steve: I can see where you're coming from with some of your points, but can't say I agree with all of them. For one, the way the film handled the passage of time didn't bother me; I've seen it done MUCH more poorly in other films (a recent example is the dreadful PSYCH:9).
Also, the scene you're referring to (with the vehicle and explosion) as having "no real purpose" does, in fact, serve a purpose. Without going too far into "spoiler" territory, the character who does this is trying to create a diversion so that a key member can re-join the group (he even says before doing so "It's my turn"). As for it being a suicide mission, I can't say I wouldn't have thought of doing something similar if I were in his shoes!
Your other points are well-taken. Staying in that store longer than necessary (meaning they should've grabbed the food and gotten out) should have been a fatal error, and nobody identifying the "turned" citizen of Barrow was a little far-fetched (although I must say, I myself live in a very small community, possibly as small as Barrow, if not smaller, and aside from my immediate neighbors and a few families on my street, most are strangers. Being in that situation I may have been equally as confused. Still, it's less believable that the SHERIFF OF THE TOWN wouldn't have known the person).
And I also agree that the vampires are handled magnificently, and look every bit the part. This is how vampires SHOULD look!
All in all, the pluses definitely outweighed the minuses for me, so as you said, we'll have to agree to disagree.
Thanks for sharing your review. I enjoyed reading it.
Seen this when it came out. I love it!!
In reference to LET ME IN being a good film, one of the things it has going for it is reinstating the detective character from the novel that was eliminated in LET THE RIGHT ONE IN. Played well by Elias Koteas, it was integrated well into the film.
Awesome sight, brother. I’ve been visiting awhile but don’t think I’ve ever commented. I apologize for that, and hope to remedy the situation, lol.
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