What a gloriously crazy film MASH is!
What a wonderful bit of anarchy!
Essentially a series of sketches centering on the same group of characters, MASH is mayhem to the third power.
As an example, I offer you the sad story of Painless the dentist (John Schuck). One night, Painless fails to “perform” while in bed with a woman, and is convinced that this failure means he’s turned into a ‘fairy’.
When Painless - unable to deal with this revelation - announces he’s going to kill himself, the camp gives him a well-staged sendoff, complete with a coffin, a deadly black tablet, and a dinner table set up to resemble yet another famous Last Supper.
This is but one example of the disorder you can expect to find throughout the film, and because of its heightened level of hysteria - accentuated at all times by Robert Altman's signature style of directing - I’ve never once seen MASH without noticing something new, something I had never picked up on before.
This time out, that discovery was a loudspeaker announcement about the movie playing for the camp later that evening, in which it's revealed, quite causally, that “Col. Blake has secured for us The Halls of Montezuma”.
I first saw this movie as a senior in med school, about to embark on a surgical career, having spent several weeks as a pre-intern at an Army medical center, so I identified with it! The football game was overly long, but otherwise, I loved every part of it. "Your lips are so hot!"
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