In the hands of director Jean Epstien, The Fall of the House of Usher is as much a celebration of the art of film making as it was a cinematic telling of Edgar Allen Poe’s famous short story.
The film abounds with special effects, from the use of superimposed images (like when Madeline’s casket is being carried to the crypt), to slow motion shots of curtains blowing in the wind. At one point, the camera actually seems to ‘break free’, flying through the hallways of the house as if carried by the wind. It is rare, especially in the silent era, to see an artistic approach such as this blend so well with engaging storytelling.
The film abounds with special effects, from the use of superimposed images (like when Madeline’s casket is being carried to the crypt), to slow motion shots of curtains blowing in the wind. At one point, the camera actually seems to ‘break free’, flying through the hallways of the house as if carried by the wind. It is rare, especially in the silent era, to see an artistic approach such as this blend so well with engaging storytelling.
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