Director Ingmar Bergman’s The Seventh Seal features one of the most iconic sequences in cinematic history, that of a knight challenging Death to a game of chess. The fact that these images remain just as powerful today is a tribute to Bergman’s skills as a visual filmmaker, yet the director’s true magic lies in his ability to couple this visual prowess with strong characterizations, presented here in a world that exists somewhere between dreams and reality.
With The Seventh Seal, Bergman takes on the age-old question of mortality. The Knight (Max Vov Sydow), returning from the Crusades, has witnessed 10 years of death and destruction carried out in the name of God. Now, he finds himself doubting God’s existence.
With The Seventh Seal, Bergman takes on the age-old question of mortality. The Knight (Max Vov Sydow), returning from the Crusades, has witnessed 10 years of death and destruction carried out in the name of God. Now, he finds himself doubting God’s existence.
A key scene in the film has the Knight meeting up with an execution party, which is taking a condemned girl to her death. She has been accused of having had a “carnal encounter” with Satan. The Knight asks the girl if the accusations are true, and she replies that they are, but the Knight can see in her eyes that the poor girl has gone mad. More than likely innocent of any crime, she has been tortured to the point that her mind has failed her, and is now convinced that the charges against her are true.
The Knight had hoped that this girl might hold the answers (after all, wouldn’t the existence of Satan, by default, prove the existence of God?), but his search has instead hit another dead end.
It’s a question mankind has been asking for thousands of years: is there life after death? In the end, we - like the Knight - must accept that this is an unsolvable riddle for the living. With The Seventh Seal, Bergman has created a masterpiece from a puzzle he does not piece together, structuring the film in such a way that the answers themselves aren’t nearly as important as the quest to uncover them.
It’s a question mankind has been asking for thousands of years: is there life after death? In the end, we - like the Knight - must accept that this is an unsolvable riddle for the living. With The Seventh Seal, Bergman has created a masterpiece from a puzzle he does not piece together, structuring the film in such a way that the answers themselves aren’t nearly as important as the quest to uncover them.
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